It certainly suffered rather an iffy start in January 2015. While it would be an overstatement to say it was in some way cursed, it hasn’t had the best of luck. The idea was to fill the gulf in its schedules caused by the departure of Coronation Street to UTV Ireland – today every bit as dead as poor Tom Callaghan.īut even if its original raison d’être is not longer of relevance, Red Rock has had a fair innings. The problem is that True Detective levels of rural gothic creepiness may not have been what TV3 had in mind when it commissioned Red Rock.
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A scene in which investigating officers Ash and Paudge – they sound like an edgy US comedy duo – snoop around yields True Detective season one levels of rural gothic creepiness. The trail for the truth now leads to a creepy woodlands. And then appeared to implicate himself, in a voice-message to his wife. He had, for instance, tampered with evidence to direct suspicion for the murder away from Callaghan. I certainly was, though I eventually recalled that, while Superintendent Dunne may not have killed Callaghan, he was nonetheless deeply compromised by his dealings with the murderous wheeler-dealer and, in particular, the death of a sex worker. But it’s just a minute or so and if you’ve merely dipped in and out of Red Rock you may still be confused. To its credit, the episode does open with a scene-setting flashback. Red Rock finale: Fiona Browne as Lois Callaghan and Conor Mullen as Kevin Dunne.
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The first question that occurred as I sat down the preview of the finale made available to the media was: who are these people again? The second was: and why should I care anyway? I still haven’t got around to HBO’s new Watchmen. And with so much must-see TV, loyalty to any individual drama is naturally conditional. Loose-ends will be tied up, cliffhangers un-hung, justice done to a small screen underdog that deserved better than to peter out ignominy.īut keeping up with a convoluted soap – as Red Rock was, for all its many positive qualities – is a tall order at the best of times. The one-hour special will be followed by a second on Wednesday. The big challenge in approaching the finale’s opening instalment on Monday night is recalling where we had left off.
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The great Irish TV scrapheap loomed for a series originally unveiled as the jewel in the glittering middle-brow tiara of TV3 (as it then was). Last spring’s shuttering had followed an August 2017 “hiatus”, caused by the sale of the show’s set at the old John Player factory in Dublin. What a terribly bumpy journey it was turning into. Red Rock’s greatest attribute – but also perhaps the creative risk that sealed its fate – was that it attempted to span several genres Red Rock’s abrupt finish was, by contrast, a result of circumstance rather than any creative choices by writer Paul Walker. It was like the end of the Sopranos only the end of the Sopranos was a painstakingly-triangulated artistic statement. Nefarious politician/cocaine dealer Tom Callaghan (Barry O’Connor) had plunged to his seeming death, his Garda chum Kevin Dunne (Conor Mullen) looking on in horror and we cut to black.
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How extraordinary.Īn inauspicious demise had loomed for the popular (ish) seaside soap when it went off the airwaves last February. We’ve reached 2020 and it is still a thing. Yes, Red Rock, the one with the guards and the lighthouse and the soft-rock blaring a little too enthusiastically over the opening credits. The first thing that needs to be said about this week’s two-part finale to Virgin Media One’s Red Rock is that there is a two-part finale.